Текст песни «Brian May - "Rollin' Over" (Marriot,Lane)»

Goodbye sunshine I'm on my way
I'll be long time gone by the break of day
Tell everyone that I'm gonna find it
There ain't nothin' gonna stop me -

Rollin' Over, Rollin' Over

Save all your lovin' till I get home
To the sweetest lovin' sunshine that I've ever known
Tell everyone that I'm gonna find it
There ain't nothin' gonna stop me -

Rollin' Over, Shak-do-way
Rollin' Over, Yeah-yeah-yeah....

Vocals: Brian with Chris Thompson
Drums: Geoff Dugmore
Bass: Gary Tibbs
Piano: Mike Moran
B.V's: Miriam Stockley, Maggie Ryder, Chris Thompson
Include material engineered by Pete Schwier, assisted by
Richard Edwards - March '88 at the Townhouse

Produced By Brian May

Co-produced and engineered by Justin Shirley-Smith

Technical Assistance by Brian Zellis

Mastered by Kevin Metcalfe

All vocals, backing vocals, guitars, keyboards and anything
else around - Brian May unless otherwise stated.

Recorded at Allerton Hill except where stated.
Mixed at Metropolis Studios except where stated.
(Assistant engineers Noel Harris and Heidi Cannavo)

Management: Jim Beach and Julie Glover
Tour management: Gerry Stickells.

Sleeve design and photography by Richard Gray.

Fan Club: 46 Pembridge Road London, London W11 3HN.

These performances were digitally recorded on two linked Sony '3324' 24-track
machines with Apogee filters and mixed back on to two tracks on the same
machines.
The album was then digitally compiled at West Heath Studios with Ian Sylvester.
The guitars were played mainly either through 'Zoom' boxes or good old (or new)
Vox AC30's.

Extra expert programming by David Richards and Brian Zellis.

My Thanks to:
Jacky Gunn, Sally Hyatt, Val Moss, Allistair McLaren, Marjie Winter, Melanie
Martin-Keady, Neal Levin, Peter Chant, Robert Lee, Vicky Vocat, Andre Gauchat,
David Richards, Lolo at Sarm, Barabara Jefferies, Penny Robinson, Crystal,
Martha, Big Martin, Ray Burdis, Dominic Anciano, Jill SInclair, Anita Keogh,
Brenda Brooker, Spike Edney, The Wildes of Knebworth, Pete Schwier, Richard
Edwards, Lonnie Donegan, Eddie Naughton, Gary Langan, Karen Goodman and all at
Metropolis Studios, Peter Harrison, Maggie Winkworth, Alan Maclean, Tony (the
sweet shop man), David Mallet, Debbie Mason, Wendy Laister, Roxy Meade, Derry
Hawes, Diana Moseley, Jane Gregory, Malcolm Hill, Jim Jenkins, Michael Eisner,
Peter Paterno and all at Hollywood Records, Gary Arnold, Rupert Perry, Tony
Wadsworth, Andrew Pryor and all at EMI Records, Helmut Fest, Kork UK, Ian
Southwell, HHB, Audio FX, Brazenrock, Bill Acton, Ian Sylvester, Lynne Carey,
Bryn Bridenthal, Carmen Rivera, Alan Douglas, Eren Mehmed, Dave Potter, the good
folks of The Sun, Windlesham, all members of the Queen Fan Club, Trip Khalaf,
Jim Devenney, Patrick Woodroffe, Peter Hince, Rudi Dolezal, Hannes Rossacher,
Stephenie Wagner, Paul Bobbins and Toby (the dog), Malcolm Thomas, Marie
Ramsden, John (Tunbridge) Wells, Wally Gore, Ron The Dog.

For the past 20 years I have been priviledged to work with the best team in the
world. Thankyou Roger, John and out dear incomparable, sorely missed, Freddie,
and all those who worked for Queen over the years, for getting me this far.

My Special thanks also:

To my dad for making my guitar with me. It should just see me out.

To Dick Denney, for designing the AC30.

To Jimmy May for keeping me clear about how cool I'm not, Louisa May for pet
care and control, and Emily May for sunshine every day.

To my dear mum for keeping Allerton Alive.

For persistant freindship. much appreciated, Tom Short, Nathan East, Steve
Ferrone, Rick Wakeman, Steve Vai, Paul Rodgers, E.V.H., Elton John, Axl, Slash
and the Def Leps.

To Joe Satriani for a magnificent guitar which makes its debut on 'Nothin' But
Blue'

To Justin, for hanging in there like the trooper he is and patiently dealing
with my erratic recording habits.

For support and encouragement, to Tommy Iommi, Joe Elliot, Nuno, Gary, Paul and
Pat of Extreme, Niel Murray, Jack Nelson, Mike Moran and Cozy Powell, whose
contribution to this album is inestimable.

And to my lady, Anita Dobson, for having faith that I could fly.

This album is dedicated to Harold May, Alfred Dobson and Freddie Mercury. And